New Spider-Man video game impresses

Coming off the massive hits at the box office, the folks at Marvel decided to dust off the controller and team up with Insomniac Games and Sony PlayStation to revisit the world of gaming. What could have been an insufferable, generic superhero gaming experience was made into an immersive, nearly flawless game that’s sure to be the textbook superhero game for years to come.

At face value, “Spider-Man” feels like just another chapter in the epic of Peter Parker’s life. Donning his signature blue and red suit, you weave through the streets of New York stopping villains and saving civilians from harm.

What the player gets is an immersive experience that just doesn’t compete with any one of the myriad of “Spider-Man” games, or even films, that have been released over the past two decades.

Where this games succeeds the most, and what most of the games and films in the series failed to do, was capture the essence of what it is to be Spider-Man. It takes off the proverbial spider mask and shows the iconic superhero for who he truly is: a guy trying to balance his life out and do the right thing. On one hand he’s a tough crime fighter taking down New York’s criminal elite; on the other he’s dealing with things that everyone struggles with: love, family, career and mortality.

The game starts with your friendly neighborhood Spider-Man, equipped with his signature sassy comebacks and a popular social media account, taking selfies at death-defying heights and mingling with the people of New York, all while keeping the city safe. His day job is working as an assistant for Dr. Otto Octavius, a scientist experiencing a fall from grace due to immense jealousy and guilt from his former friendship with Mayor Norman Osborn.

Other well-known characters from the franchise’s past include Peter’s beloved aunt May, former-Daily-Bugle-editor-turned-conspiracy-theorist-radio-host J. Jonah Jameson and Parker’s love interest Mary Jane Watson, who’s a reporter with a penchant for getting caught in Spider-Man’s web of enemies.

The boss fights are something to behold. They don’t feel like a series of standard ones from past video games. It feels like an actual fight, not a series of code that reacts to a particular attack. While the first major boss fight, featuring an angry and charging Kingpin, was a generic combat tutorial at best, the rest bring an atypical experience, which highlights the game’s fluid combat system.

The momentum doesn’t stop when you move from the fan favorite villains to common street criminals. The way the player moves from villain to villain is an excellent exhibition of flawless fluidity that the game captures so well.  This style of combat feels more at home in “Spider-Man” than it did in another stellar superhero gaming classic, “Arkham Knight.” While Batman is just as idolized as Spider-Man, the parkour laced combat moves feel more at home with Spidey than they do with the Dark Knight.

The inclusion of Mr. Negative is a welcome surprise and interesting turn from the usual selection of Spider-Man’s cavalcade of villains. In this incarnation, Mr. Negative, AKA Martin Li, is aiming to take over Kingpin’s territory and using the deadly Devil’s Breath virus to do it. While our web-slinging hero stops him, the effects the virus leaves has consequences felt throughout the rest of the game concluding with an epic rooftop fight against Spider-Man’s mentor-turned-madman Otto Octavius, now known as Doctor Octopus.  

Aside from the main missions, sleuthing with MJ and the next incarnation of Spidey, Miles Morales provides a refreshing break from beating up bad guys. Another high point is stripping off the iconic spider suit and playing as Peter Parker, the scientist. The mini games include gene splicing, chemical arrangement and circuit puzzles that range from absurdly easy to so difficult you’re practically close to throwing your controller across the room.

Where the game falls flat, is when it comes to innovating the open-world format. “Spider-Man” utilizes age-old tropes and while they are familiar to anyone who has played any open-world game, they become repetitive fast. The side missions could become monotonous after a while, but they don’t take away from the overall enjoyment of the game.

However, while the open world doesn’t provide any groundbreaking features, it’s the perfect medium to highlight the stellar web-swinging. It’s your main mode of transportation and it’s the best way to navigate from mission to mission around the vast landscape and tall buildings.

Despite its few shortcomings, “Spider-Man” succeeds in providing an in-depth story which immerses the player in every aspect of Peter Parker’s world.. With the fluid combat system, multitude of mission and stellar graphics, this game is well worth picking up the controller for a few hours and swinging through the city.

Originally published in the Daily Aztec in September 2018.

Alumnus gives back to SDSU with tutoring business

Inside an overcrowded Love Library students sit, study, cram and stress for their upcoming tests and quizzes. In the case of 27-year-old San Diego State University alumnus John Glick-Scroggins, the hustle and bustle of studying for classes became a growing business venture that took its shape from years of helping his fellow peers with the very same issues.

Glick-Scroggins, a Bay area transplant and 2014 SDSU graduate, started tutoring his classmates at age 16. However, he didn’t actually seriously start thinking of tutoring as an actual business until he began tutoring his friends in college. After working for various tutoring companies and seeing the way both students and tutors interacted, he officially started contracting with tutors and opened MathWizJohn’s Tutoring the year of his graduation.

“I was able to see how beneficial one-on-one learning was not only for a student’s grade, but also for their academic and self confidence,” Glick-Scroggins said. “I quickly noticed certain inefficiencies in their programs that, when fixed, could allow for a better dual-sided approach to both learning environments for students and the stability and standard for the role of a tutor.” 

Glick-Scroggins’ passion for helping others reach their potential is evident. He beams with pride when he talks about how he and his team of tutors work with students of all backgrounds, including students with developmental and special needs, and how everything is specialized to that student’s individual need.

“I’ve always just been intrigued in finding a way to give to everybody else the fulfillment that I found in my studies,” Glick-Scroggins said.

He says his tutors, who total about 100, are put through a rigorous interviewing process before being hired.

“The value of the organization lies in the value of the tutors,” Glick-Scroggins said.

Christopher Williams, who has been a tutor with MathWizJohn’s Tutoring for one year, completed his undergraduate degree in applied mathematics and economics at UC Merced, has a masters of science in economics and finance from the Barcelona Graduate School of Economics and is currently working on a master of applied statistics through an online program at Pennsylvania State University.

“I have had a lot of good students who are excited to learn, mostly they just need to build up their confidence,” Williams said. “I had two students who went from petrified and failing the previous semester to (getting) As and Bs and (being) confident the next.”

SDSU sophomore Jenn Schwager has been using John’s tutoring service since last year and specifically sought out MathWizJohn’s Tutoring because she said it was “tailor-made” for the student client. She said the price, availability of one-on-one sessions and tutors in specialized subjects were all appealing factors for her.

“Here at San Diego State, our prices range from $40-$50 an hour,” Glick-Scroggins said. “This is where I built my home, my original nest, and at San Diego State I’ve always committed to not raising the prices here.”

One of the other areas that MathWizJohn’s Tutoring covers is test prep. SDSU business administration senior Rebecca Reiner said that while learning in large lecture classes is doable, it’s often difficult to get professors’ attention to ask questions and get clarification.

“John was able to work with us in a small group, which was very beneficial for me,” Reiner said about the test prep services. “I was able to learn the concepts and understand it to my best ability during class, and then when I was at tutoring I would be able to specifically ask for help on certain topics.”

Glick-Scroggins says that he owes this passion for helping students from his own experiences growing up in an environment that nurtured his talent for mathematics and at the end of the day, he hopes that he can instill the same self-confidence in the students he and his tutors help and be a positive educational influence in their lives.

Originally published in The Daily Aztec in September 2017.

The 1975’s debut album is what pop music should be

After 11 years and four EPs, The 1975 finally released their long awaited self-titled debut album and it was worth every second of the wait.

The 1975 have been gaining rapid momentum since the release of their first EP “Facedown” in August 2012. Three other EP releases quickly followed titled “Sex,” “Music for Cars” and “IV” respectively. The EPs, while amazing in their own right, provided somewhat of a warning for what their debut album would be like: loud, eclectic and unlike anything you’ve ever heard.

The music on the album is all over the place, jumping from atmospheric experimental tracks like “Talk!” to more straightforward pop tracks like “Girls.” This is all thanks to the bands self-identified “lack of identity.”

Lack of identity has often led to really bad albums but in this case however, it works beautifully. It’s obvious that the band has listened to a lot of music over their 11-years together and that they have learned from it.

Then there are songs like the mellow “Menswear” and the stripped down “Is There Somebody That Can Watch You” that serve as nice breaks from the in your face alt-pop music that permeates through the entire album.

Lyrically, the album could be the poster child for youthful angst. The band provides a witty and catchy commentary that deals with topics such as sex, drugs, love and experimentation. This album touches on so many levels of young adulthood that it could easily have been the soundtrack to your formative years.

The flaws in this album, while albeit minor, are still there. The only thing I didn’t really like was that in “Talk!” the guitar sounds looped and the bass almost gets completely drowned out by the drums during the verses.

All in all, The 1975 have proven that their debut album not only transcends genres but also proves to be that breath of fresh air that music today needs. These are the kind of songs that deserve to be played on the radio and obtain the number one spot on top of the charts.

Other artists should take note because this is what a pop album should be. It should pay homage to the genres that influenced the band but at the same time should stay true to their own style and identity, or lack thereof, in The 1975’s case.

Highlights include the re-recording of the song “Sex,” the two previous EP singles “Chocolate” and “This City,” the intricate and vocally hypnotizing “Robbers,” the experimental “Heart Out” and the two most straightforward pop songs “Settle Down” and “Girls.”

The 1975’s debut album is out now and available on iTunes.

Originally published in City Times, September 2013.

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